
Maria Kaoutzani is a composer from Limassol whose work explores identity, vulnerability, resilience and the complexities of human connection through sound. Blending contemporary classical music with influences from popular music, experimental performance, field recording, and multimedia art, she creates immersive works that invite audiences into emotionally charged and deeply personal spaces. Her music often places performers in hybrid roles as musicians, storytellers, and collaborators, foregrounding the body, the voice, and the act of listening as central expressive forces.
Drawing from her background in Cypriot culture, ethnomusicological research, and interdisciplinary collaboration, Kaoutzani’s work challenges traditional concert conventions while remaining direct, intimate, and approachable. Recent projects explore themes of mental health, memory, ecology, and belonging through amplified ensembles, electronics, video, and documentary sound. Whether writing for the concert stage, installation, or recorded media, she is interested in creating experiences that feel intense, yet vulnerable and human.
Kaoutzani is Assistant Professor of Music Composition at the University of Oklahoma and a founding member of the composer collective Kinds of Kings. Her work has been commissioned and performed by artists and organizations including Eighth Blackbird, the Cincinnati Symphony Orchestra, ~Nois Saxophone Quartet, and the Grossman Ensemble.
For Maria's teaching portfolio, please click here.